Throughout his life, up until his death in 2009, Boal worked relentlessly hard to try and evoke theatre as a tool for change, to give power and arts to the common person, and make theatre more widely available to the masses. He believed that theatre could be used to empower people that were seen to be oppressed by society, and wanted theatre to be an 'active relationship' between everyone involved. Using games and exercises to get anyone involved, whether that be a trained actor or 'common citzen' as he saw it, his methods inspired a lot of the early work in the areas of applied theatre, community theatre and drama therapy.
One of Boal's movements/methods which I find most interesting is 'Theatre of the Oppressed' which in its simplest form is about Boal wanting to restore theatre to what he sees as its proper place, as a form of communication and expression, which is something I have been focusing on in my project. Boal's book 'Theater of the Oppressed' draws on his influences and theories of Aristotle and Machiavelli to discuss how theatre has come to be ruled by class, and has not been available to the masses, and how Boal wishes to challenge and change this through his theories. This book takes a bit of hard work to get through, but what I have taken from the book and learnt means its well worth reading if you can get your head around it.


Above is an image of the 'Tree of the Theatre of the Opressed' which links all the methods and forms of theatre Boal was using during his movement.
Newspaper Theatre- an early form of documentary
theatre, a technique which allows people to make theatre from actual and local
stories
Image Theatre- using images and physical theatre to
express feelings and emotions
Forum Theatre- where the spectator becomes a
'spect-actor', watching and taking action
Legislative Theatre- an extension of forum theatre which
uses theatrical techniques for social/political impact
Invisible Theatre- an idea that theatre can pop up
anywhere, in any situation
Another point of the Tree of
the Theatre of the Oppressed is the 'Rainbow of Desire' which uses techniques
from image and forum theatre to investigate internal oppression, and ways to
change this oppression. This technique is more closely linked to using theatre
as therapy. Again Boal has a interesting book
on this subject.
The last book which is an
essential Boal read is his book entitled 'Games for actors and non-actors'.
This book provides and insight into his methods and exercises he uses with
groups to develop his methods.

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